Frees Writing Style of A Farewell to Arms Essay Example For Students

Frees Writing Style of A Farewell to Arms Essay Farewell Arms EssaysThe Writing Style of A Farewell to Arms Hemingway became a newspaper writer in Kansas City as a young man and, in 1918, he joined the Red Cross to become an ambulance driver just like the character, Frederick Henry. This partially autobiographical novel is a combination of Hemingways personal experiences in war and writing. Hemingways life gave him the refinement that he needed for the inspirational language of the novel. He inspires us with his journalistic directness, sensory detail and his different writing styles that reflect the moods of the characters. Critics usually describe Hemingways style as simple, spare, and journalistic. These are all good words; they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxers punchescombinations of lefts and rights coming at us without pause. Take the following passage: We were all cooked. The thing wa s not to recognize it. The last country to realize they were cooked would win the war. We had another drink. Was I on somebodys staff? No. He was. It was all balls (Hemingway PAGE #). The style gains power because it is so full of sensory detail. There was an inn in the trees at the Bains de lAllaiz where the woodcutters stopped to drink, and we sat inside warmed by the stove and drank hot red wine with spices and lemon in it. They called it gluhwein and it was a good thing to warm you and to celebrate with. The inn was dark and smoky inside and afterward when you went out the cold air came sharply into your lungs and numbed the edge of your nose as you inhaled (Hemingway PAGE #). The simplicity and the sensory richness flow directly from Hemingways and his charactersbeliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they cant be ignored. And just as Frederic Henry comes to distrust abstractions like patriotism, s o does Hemingway distrust them. Instead he seeks the concrete, the tangible: hot red wine with spices, cold air that numbs your nose. A simple good becomes higher praise than another writers string of decorative adjectives. Though Hemingway is best known for the tough simplicity of style as seen in the first passage cited above, if we take a close look at A Farewell to Arms, we will often find another Hemingway at work. A writer who is aiming for certain complex effects, who is experimenting with language, and who is often self-consciously manipulating words. Some sentences are clause-filled and eighty or more words long. Take for example the description in Chapter 1 that begins, There were mists over the river and clouds on the mountain; it paints an entire dreary wartime autumn and foreshadows the deaths not only of many of the soldiers but of Catherine. Hemingways style changes, too, when it reflects his characters changing states of mind. Writing from Frederic Henrys point of vi ew, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henrys thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage in Chapter 3: I had gone to no such place but to the smoke of cafes and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring (HEMINGWAY 13). The rhythm and the repetition have us reeling with Henry. Thus, Hemingways prose is in fact an instrument finely tuned to reflect his characters and their world. 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